The mysteriously named Novo Talos and the Hellenic-sounding Milos Stavos both make gentle piano instrumentals not unlike the music Yann Tiersen composed for the soundtrack of Amélie.

There’s something ineffably hilarious about the thudding inevitability of what comes out of my headphones. A playlist prosaically titled Piano in the Background has made me snigger. Now I suspect it has turned me faintly hysterical. This music long ago ceased to make me feel chilled or peaceful or any of the adjectives used in the titles of the Spotify playlists that contain it. I have been listening to gentle piano instrumentals not unlike the music Yann Tiersen composed for the soundtrack of Amélie all day, and I suspect I reached the limits of my tolerance for it some hours back. This, I confess, is proving something of a problem. The track I’m playing, Far and Beyond, is a gentle piano instrumental, not unlike the music Yann Tiersen composed for the soundtrack of whimsical French movie Amélie. I t is 10pm on Tuesday, and I have just become the 1,106,079th Spotify user this month to listen to an artist called Charles Bolt.

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